Azealia Banks is calling out Lady Gaga.

The 32-year-old entertainer, who at one point was working on still-unreleased tracks called “Ratchet” and “Red Flame” with the 37-year-old superstar for Gaga‘s 2013 studio album Artpop, spoke out on social media on Tuesday (August 1) while praising Nicki Minaj.

While celebrating Nicki‘s upcoming Pink Friday 2 on her Instagram Story, Azealia went on to drag Lady Gaga and their alleged conversations from over a decade ago.

Find out what Azealia Banks had to say…

“Ngl, I’m actually REALLY excited for Pink Friday 2. Nicki is just soo00000000000000000 good at crafting and creating that TRULY iconic and TRULY global Female Rapper Popstar Product,” she began.

“My music is great but a lot of it is SUPER self indulgent and a bit too nuanced for the average music listener, But a big part of what made Nicki‘s debut & marketing strategy so genius early on was her ability to somehow disarm a larger part of this neo-white hive minded digital society of the scorn, disgust and generally low social status/importance usually assigned to the female rapper archetype and combine humor and theater to cement herself in the minds of the last two decades worth of new humans at arguably the most fundamental and foundational parts of their lives: their childhoods,” she went on.

“Someone’s gotta write the scholarly thinkpiece outlining how geniusly Freudian Pink Friday and her ascension to massive stardom was. From a commercial standpoint, Nicki Minaj is a marketing maverick. And still has some of the best pop hits of the last 15 years.

Seeing her dominate in a space usually protected for unspectacular young white women who remind the masses of unspectacular older white women of the *teeeeeny* bit of pizazz they had when they were young was and it was normal and socially encouraged to shroud themselves in ignorance and navigate life with a socially acceptable albeit absolutely delusional, unrealistic over inflated sense of entitlement because actual laws existed to oppress and suppress any and all outside competition was EXCITING.”

“Lady Gaga was (and hopefully is about to be once more) SO PRESSED THAT THERE WERE BLACK WOMEN IN THE SPACE SHE WAS TAUGHT WAS RESERVED FOR HER,” Azealia went on to write.

“Lmao sis saw that videophone remix video back and made a decision to never be upstaged by a black woman ever again in her life. LMAO Bey is lowkey laughing at how hard lady gage [sic] is going to seem as effortlessly talented as a true pop star (not a gluten free ace of base/overtly phony rgaybait catchphrase/ never once as hip or cool or versatile as Madonna now disillusioned and back at the whites only water fountain trying to pull a Shazam off and position herself in the minds of a mostly senile and fading consciousness’ of white baby boomers as a Liza Minelli [sic]/d Barbara streisand tribute act) should be. SHE WAS SO AFRAID OF NICKI NINAJ ITS NOT EVEN FUNNY.”

”Every few months I get the urge to be messy and leak those texts from 2011. Because they truly show JUST how overtly and unashamedly racist, jealous and insecure she is,” Azealia continued to say of Gaga.

“She was SO CONFUSED by me not salivating at the thought of fighting with her very cliche idea of who my competition was lol. But I have lived life and realize how unfortunate it must be to constantly feel so threatened.

And I always just wanna blow her spot up for the years and years she pretty much encouraged her young white gay male fanbase and media co-horts to say some of the most intensely racist things to me and about me, simply because she wanted me to diss Nicki on her behalf in effort to try and distract the public from yet another new intimidatingly cutting edge black girl who essentially made arguably one of the coolest songs in the history of recorded music.”

“But sis ain’t really eat it since 2011. Nicki is poised for a very strong comeback and Azealia is still making the coolest music across all gender and genre. I really do appreciate the ability to and feel blessed to still be making music from a place of TRUE inspiration.. And I’m more proud of the desire I have to keep evolving thru music despite everything,” she continued.

“Plus sis is like so late and out of touch the music snob in me won’t let my desire to be messy and petty predictably be used to further the false narratives created to paint Azealia Banks as anything other than the multi-generational arts and culture influence she is.”

”Cause I truly am STILL THAT GIRL. Lol I love that for me,” she added.