To watch the singer-rapper Lil Nas X in the documentary “Lil Nas X: Long Live Montero” is to witness a Black queer man embody a power that still feels very new.

Directed by Carlos López Estrada (“Raya and the Last Dragon”) and Zac Manuel, this film, streaming on Max, is historically important given its subject’s place in hip-hop, a genre dominated by heterosexuality and hypermasculinity. New interview footage with Montero Lamar Hill, a.k.a. Lil Nas X, from both on the road and in his home, is juxtaposed with performances from the artist’s recent “Long Live Montero Tour,” a celebration of queer eroticism and joy.

But the scenes are assembled like the wall collage of pop stars that we see in his otherwise empty bedroom, resulting in frustrating interview segments that are both broad and cursory. Lil Nas X is forthcoming in the documentary about his preshow bowel movements, for example, but is less open about more meaningful thoughts, such as how his religious journey is connected to his work.

When the musician Little Richard, known for his flashy attire and complicated past, comes up in a 1972 interview clip that Lil Nas X briefly comments on, the film makes a quick point about Black queer artists who have struggled to be out. It then falters by generalizing a history that, with some added details, could have better emphasized Lil Nas X’s current impact on culture.

“Saying actual words — it’s really hard to do,” Lil Nas X eventually admits. Still, the best parts of this documentary are onstage, where his freedom to be himself tells its own thrilling story.

The post ‘Lil Nas X: Long Live Montero’ Review: A Hip-Hop Trailblazer appeared first on New York Times.