Her winter wardrobe is giving Elsa in the best way possible.

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Anne Hathaway is as famous for her earnest relatability as she is for her Oscar-winning performance in Les Misérables and her endlessly quotable turn in The Devil Wears Prada, but—from a fashion perspective, at least—she’s now firmly in her ice-queen era.

While on the press circuit for William Oldroyd’s adaptation of Ottessa Moshfegh’s Eileen, the 41-year-old (and her superstylist, Erin Walsh) have leaned into an aesthetic reminiscent of The Lion, The Witch & The Wardrobe’s White Witch (in the best possible way).

Exhibit A: the head-to-toe Des Phemmes look she wore on her way into the Kelly & Mark studio back in November, its white eco-leather embellished with Swarovski crystals. Upping the outfit’s frosty feel: Bulgari jewellery and silver Jimmy Choo sandals (the cold never bothered her anyway).

Incorporating Swarovski crystals and Bulgari jewellery into a single look for a visit to Kelly & Mark…

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…and putting another spin on winter whites later that same day.

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And for an appearance later that same day? Anne shrugged Anna Quan’s Athena blazer over the Australian label’s Paris dress and slipped on a pair of pristine Christian Louboutin heels.

Even her Fashion Awards look—a 37-year-old treasure from the Valentino archives—came in a cream colorway that only accentuated the whiteness of her diamond necklace.

Anne Hathaway’s latest winter white coup: another Des Femmes look on December 8, this time in the form of a crystal-studded bustier and skirt, a matching coat shrugged over the top as she entered and exited the Jimmy Fallon studio.

It’s fitting, really; if Hathaway has never succumbed to the allure of character dressing, her Elsa-esque looks do chime with the atmosphere of Eileen, set during a frigid Massachusetts winter in the run-up to Christmas Day, 1964.

In Des Phemmes for an appearance on Jimmy Fallon…

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…with a white coat shrugged over the top outside the studio.

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The film’s neo-noir focus: the blossoming friendship between the title character (Eileen McKenzie), a desperately lonely, sexually repressed secretary at a boys’ prison, and the reformatory’s new psychiatrist Rebecca (Hathaway), a Harvard graduate given to chainsmoking, downing endless martinis, and…taking the law into her own hands.

It’s not, in other words, A Wonderful Life—but it has given rise to a wonderful promo wardrobe.

This article was originally published by British Vogue.